Parents' Column | Calligraphy
An Activity for Neater Handwriting
What Changes with Kakikata Shodo, and How?
“I can't read my child's notebook.” “They can't write their name neatly.” Handwriting is not talent. It comes down to four things: grip, posture, stroke order, and shape. What changes in kakikata shodo (Japanese calligraphy & handwriting), in what order, how long it takes, and what you can do at home, from our classroom experience.

The real reason handwriting doesn’t get neater
When a parent tells us “my child’s handwriting is messy,” before we even look at the handwriting, we look at how the child holds the pencil and how they sit. Almost every child whose writing is hard to read holds the pencil too deep, has the thumb pushed out in front, or has their face too close to the paper. With the wrong grip, you cannot draw a line in the direction you intend. In other words, the handwriting is not bad; the child is writing with a grip that makes writing hard.
The next most common issue is stroke order. When the stroke order is all over the place, the shape changes every time and the writing never settles. And the last is “shape.” The vertical strokes of 「口」 (“mouth”) lean inward; the last stroke of 「大」 (“big”) sweeps out. Rules of shape like these are not picked up without being taught. Handwriting time at school (shosha) is limited, so children often don’t get this much individual attention.
The 4 things kakikata shodo changes
- Grip
We correct the pencil grip first. The younger the child, the faster it is corrected. Once the grip is right, the lines become firm and the pressure becomes steady.
- Posture
A straight back, where the paper sits, where the elbows go. Posture affects not only handwriting but concentration, too. “Writing time is sitting time” carries over to studying at home.
- Stroke order
Writing in the correct stroke order makes the shape of a character come together naturally. Children check the stroke order of the kanji they learn at school against a model as they write.
- Shape
Stops, hooks and sweeps (tome, hane, harai), the length of lines, the space inside a character. Children grow an “eye for observing”: looking closely at the model and finding where their own writing differs.
Pencil handwriting and brush writing: what each one does
| Pencil (kakikata) | Brush (shodo) | |
|---|---|---|
| Works directly on | Everyday writing: notebooks, tests, names | Pressure control for stops, hooks and sweeps; a feel for character shapes |
| Skills that grow | Correct grip, stroke order, shape | Concentration, observation, calmness |
| Age | From the final year of kindergarten | From around January of the final kindergarten year (preparing with a brush pen and water-writing paper) |
If you want “neater notebook handwriting,” pencil handwriting works directly. But when a child learns the pressure of a “sweep” with the brush, their pencil lines change too. Learning both has a good effect on each. That is why Kodomo School teaches both, as “kakikata shodo.”



How long does it take?
| 1–2 months | Grip and posture settle. Many parents feel “the lines have become firmer” around this time |
|---|---|
| 6 months | Stroke order becomes steady; hiragana and the kanji learned so far take shape. School handwriting assignments get easier |
| 6 months–1 year | Notebook and test handwriting changes. Some children are told by their school teacher, “It’s easier to read now” |
| 1 year+ | Moving up the kyu and dan grades. Writing holds its shape even when written fast. Some children enter the calligraphy contest |
Handwriting changes the moment a child feels “I wrote that neatly.” So rather than hearing “that’s messy” at home, children need the experience of being told “this part is beautiful” in class.
Left-handed children, children who hate writing, starting in the upper grades
Left-handed children: they keep the pencil in the left hand, and we adjust the grip and the position of the paper. For the brush, we talk with the child, and some practice with the right hand. We never force a change.
Children who hate writing: the reason is often “I don’t want anyone to see it because it’s messy.” In class, we first correct the grip so the child feels “I can draw a line.” Starting from a small “I did it!”, they stop disliking writing.
Starting in the upper grades or junior high: not too late. Older children understand quickly, so once the grip habit is corrected, many look like different writers within six months. Junior high students also learn semi-cursive script (gyosho).
What you can do at home
- Look only at the grip: rather than whether the writing is good or bad, comment only on grip and posture. “You held the pencil at a nice slant.”
- Make time to write slowly: even just when writing their name, say “slowly is fine.” Speed comes later.
- Find “this part is neat”: just one character is enough; put the good point into words. Handwriting changes starting from the characters that were praised.
- A habit of looking at the model: keep the classroom model or textbook on the desk at home too, and looking at it becomes a habit.
FAQ
Can my child learn only pencil handwriting?
Kakikata shodo at Kodomo School is a class where children learn both pencil and brush. During the final year of kindergarten the focus is on pencil, and brush starts when the child seems ready. If you are “still unsure about the brush,” please talk to us first.
Can you also help with school kakizome (New Year calligraphy) and pencil-handwriting exhibition assignments?
Yes. School handwriting assignments can be done in class. During the summer holidays we sometimes hold short-term lessons.
What do we bring, and what is the monthly tuition?
Bring writing supplies and a calligraphy set (when brush writing starts). Monthly tuition is ¥4,600 for kindergarten and elementary students and ¥5,500 for junior high students (tax included). In addition there is a facility fee of ¥1,100 / month, an enrollment fee of ¥4,800 (free from the second sibling), and materials fees.
From what age can my child start?
Pencil handwriting from the final year of kindergarten; brush from around January of that year, as a guide. See What age to start calligraphy (kakikata shodo)? for details.

One stroke at a time, with care. Neat handwriting is a treasure for life.
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Start with a free trial lesson
Soroban and calligraphy trial lessons are free (about 20 minutes; just bring something to write with). The art trial lesson is 40 minutes and costs ¥1,000 (nothing to bring). Come with your child and see the feel of the classroom and how well the teacher suits your child.
