The benefits of calligraphy
The benefits of calligraphy:
more than just neater handwriting
Neater handwriting is only the beginning. What calligraphy really builds is correct posture and careful manners, deep concentration, the confidence of “I did it!” and the ability to calm one’s feelings. At the same time, it is not an activity that shows results right away. We will tell you honestly about both the good points and the things to be careful about.

- Benefits of calligraphy ①–③ (visible skills)
- Pencil (kakikata) and brush (shodo): what each one builds
- The “invisible strengths” we most want to nurture
- Drawbacks and things to be careful about
- Which children it suits, and when to start
- Typical tuition, and Kakikata Shodo at Kodomo School
- Frequently asked questions
Benefits of calligraphy ①–③ (visible skills)
① Neater handwriting
Good handwriting is not a talent. It comes down to four things: how you hold the pencil or brush, how you sit, stroke order and the shape of each character. In Kakikata Shodo, children learn these “forms” step by step, following Japan’s national curriculum guidelines. By looking carefully at the model as they write, they learn to write well-balanced, easy-to-read characters. Beautiful handwriting is a treasure for life. For details, see An activity for neater handwriting.
② Correct posture and “shosa” (careful manners)
Sitting with a straight back. Getting the tools ready carefully, and putting them away when finished. In calligraphy, how children behave before and after writing (shosa) matters too. Good posture is also the foundation for other studies and for daily life.
③ Deep concentration
Observing the model closely and paying attention to each stroke. By repeating quiet moments of focusing on tome, hane and harai (the stops, hooks and sweeps of each stroke), children build a habit of deep concentration that also helps with other studies and sports.
Pencil (kakikata) and brush (shodo): what each one builds
“Shuji” (handwriting practice) includes kohitsu, writing with a pencil, and mohitsu, writing with a brush and ink. Each builds slightly different skills, so we recommend learning both.
| Kohitsu – pencil (kakikata) | Mohitsu – brush (shodo) | |
|---|---|---|
| Tools | Pencil | Brush and ink |
| Builds | Correct grip and stroke order. The ability to write easy-to-read characters quickly in notebooks and tests | Control of pressure for tome, hane and harai, well-balanced character shapes, deep concentration |
| At school | From Grade 1 (shosha handwriting lessons, plus notebooks and tests every day) | From Grade 3 (shosha handwriting lessons, kakizome New Year writing, etc.) |
In Kodomo School’s Kakikata Shodo, children learn both pencil and brush writing in the same class. Children in the final year of kindergarten start with the pencil, then move on to the brush pen, water calligraphy (practice writing with water) and finally the ink brush, so they almost never get covered in ink straight away or come to dislike the brush. For the difference between the terms, see Shuji, shodo and kakikata: what’s the difference?
The “invisible strengths” we most want to nurture
What Kodomo School most wants to nurture through calligraphy are the strengths that don’t show up in test scores.
- Self-esteem (the confidence of “I did it!”)
The sense of achievement when “I did it!” and “I wrote it well!”, just like the model. Getting through these “small steps” by their own effort builds a real confidence: “I’m okay” and “if I try, I can do it.”
- Perseverance and observation
“Perseverance” to face themselves quietly and practice again and again toward a goal (the model). “Observation” to calmly see where their writing differs from the model. These become an inner anchor that supports children when they face difficulties in the future.
- The ability to calm the mind
The scent of ink is said to calm the mind and improve concentration. It settles irritated feelings, and after finishing, the mind feels clear. This experience of “resetting the mind” also leads to the ability to calm one’s own feelings.
For Kodomo School, calligraphy is not “a technique for neat writing.” It is a “way” (dō) itself: one that draws out children’s “invisible strengths” and builds the confidence to “live true to themselves.”
Drawbacks and things to be careful about
Here are honest answers to the concerns parents often have before starting.
| What people say | The reality |
|---|---|
| In the age of computers and smartphones, handwriting isn’t needed | At elementary and junior high school, children still write by hand every day: notebooks, homework, tests and assignments. Easy-to-read handwriting is also a kindness to the person reading it. |
| Children don’t get good right away | True. As a guide, grip and posture take one to two months, and the writing in notebooks and tests changes in six months to a year. |
| Ink stains clothes | On days when ink is used, we recommend clothes that can get dirty, or a smock. During the final kindergarten year, children mainly use the brush pen and water calligraphy, so there is no mess. |
| The tools cost money | A calligraphy set is needed at the start. The calligraphy set is also used at school in shosha lessons from Grade 3. At Kodomo School, you can also buy one at the classroom. |
| It’s hard for left-handed children | Not at all. With the pencil, children keep using their left hand, and we adjust how they hold it and how the paper is placed. With the brush, we sometimes practice with the right hand after talking it over with the child. We never force a change. |
Which children it suits, and when to start
Children it suits: has started to take an interest in hiragana and writing; writes in a way that is hard to read, or you are concerned about how they hold the pencil; you want to give them time to work calmly; likes copying a model.
When to start: as a guide, pencil writing (kakikata) from the final year of kindergarten (age 5–6), and the brush (ink) from around January of the final kindergarten year. Learning the correct grip and posture when children start writing hiragana changes their writing from then on. It is not too late to start in elementary or junior high school. For details, see When should a child start calligraphy?
Goals help children keep going: in brush writing, children can take kyu/dan grade exams at the classroom they usually attend (there are no pencil-handwriting exams; there are no grade exams during the final kindergarten year; from April of Grade 1, children start working toward grades through the monthly assignment). Every January there is also a calligraphy contest.
Typical tuition, and Kakikata Shodo at Kodomo School
Most children’s calligraphy (shuji/shodo) classes charge around ¥5,000 a month, with a range of from the ¥3,000s to about ¥6,000 depending on the class. In Kodomo School’s Kakikata Shodo, one monthly tuition covers both pencil and brush writing.
| Final year of kindergarten and elementary school | Junior high school | |
|---|---|---|
| Lessons | Once a week, 60 minutes | |
| Monthly tuition (tax included) | ¥4,600 | ¥5,500 |
| Facility fee (incl. insurance) | ¥1,100 / month | |
| Enrollment fee | ¥4,800 (free from the second sibling) | |
In addition, there are costs such as a calligraphy set. For details, see Lesson times, tuition and how to enroll, and for the costs beyond monthly tuition, see Typical tuition for calligraphy classes.
Frequently asked questions
How long does it take to see results?
As a guide, grip and posture take one to two months, stroke order and character shapes about six months, and the writing in notebooks and tests six months to a year (every child is different).
Does it help with shosha lessons and kakizome homework at school?
Yes. Children can also work on school shosha assignments (such as kakizome, the New Year writing) in class. We explain how to practice over winter break in Tips for writing kakizome well.
Can my child attend both soroban and calligraphy?
Yes. Many classrooms hold both soroban and Kakikata Shodo at the same venue on different days of the week. Your child can try both in one free trial lesson visit.
What should we bring to the trial lesson?
For the free trial lesson (about 20 minutes), just bring writing supplies. The calligraphy set can wait until you have decided to enroll.

One stroke at a time, carefully.
When you finish, your mind feels clear!
Parents' Column
Articles about calligraphy
Start with a free trial lesson
Soroban and calligraphy trial lessons are free (about 20 minutes; just bring something to write with). The art trial lesson is 40 minutes and costs ¥1,000 (nothing to bring). Come with your child and see the feel of the classroom and how well the teacher suits your child.
